Double Ninth Festival or Double Yang Festival(重陽の節句,Chouyo-no-sekku) originated from a Chinese custom was celebrated on the 9th day of the 9th month in the lunar calendar(corresponding to October 16th this year). It's called the festival in chrysanthemum flower season.
Odd numbers are regarded as active(陽, yang or yo: a traditional Chinese spiritual concept) in China. The ninth day of the ninth month (or double nine) is regarded as a sinister day because the day has too much yang.
People had the custom of climbing up a hill or high building with their family and drinking chrysanthemum wine to drive away evil spirits and pray for longevity on the 9th day of the 9th month in the lunar calendar. Now this became a minor custom in Japan.
The following poem was written by Du Fu(杜甫, Chinese famous poet) when he stood a high place on the the 9th day of the 9th month in the lunar calendar in 766. I read this poem in my high school text book, and I'm fond of it.
登高 杜甫
風急天高猿嘯哀
渚清沙白鳥飛廻
無邊落木蕭蕭下
不盡長江滾滾來
萬里悲秋常作客
百年多病獨登臺
艱難苦恨繁霜鬢
潦倒新停濁酒杯
the same poem translated into Japanese:
風急に 天高くして 猿嘯哀し
渚清く 沙白くして 鳥飛び廻る
無辺の落木 蕭蕭として下り
不尽の長江 滾滾として来たる
万里悲秋常に客と作り
百年多病独り台に登る
艱難苦だ恨む 繁霜の鬢
潦倒新たに停む 濁酒の杯
"Climbing Up(Deng Gao in Chinese, Toukou in Japanese)" written by Du Fu(Toho in Japanese)
"The winds harshly blow, I feel that a clear sky is very high, I can hear the wail of monkeys.
I can see the beach with clear water, its sands are white, a bird is flapping about there.
Leaves continuously fall from boundless trees, I hear them rustling.
The inexhaustible Yangtze River(or Chang Jiang, 長江) rush by.
I've been far away from home for so long and also been a perpetual traveler in foreign lands.
I've been prone to illness and climb up all alone now.
I harbor resentment toward trials and tribulations that made my sideburns turned frosty.
A sense of hopelessness made me spiritless.
In addition, I was forced to give up drinking because of illness."
It's hard for me to translate this poem satisfactorily into English. I suppose you can get the English translation of this very famous poem.
This poem reminds me of Georges Moustaki's "Ma Solitude".
"I have lived with my solitude for too long, so my solitude keeps me from feeling lonely."
We learn about classical Chinese and Japanese literature in high school. This poem appeared in school text books.
The defining difference between both classical literature is the presence of female writers. I've never read writings by women in classical Chinese literature. Many classical Chinese poems took on such themes as the their love for their country, friends and family. So they are regal.
Meanwhile, many ancient Japanese women wrote poems, novels and essays. There are many writings on the subject of romance in classical Japanese literature.
"Manyo-shu(Collection of Ten Thousand Leaves)" was realized in the late eighth century and includes approximately 4,500 poems written by people from every walk of life from different regions of Japan over a period of about 300 years. It includes the poems of many women such as empresses, aristocratic ladies and wives of front-line soldiers.
In the Heian period(794 to 1185), many women were active as writers. They were not professional writers, but Murasaki Shikibu (紫式部) hired on as a private tutor of Fujiwara no Michinaga's daughter in recognition of her "The Tale of Genji".
Kisewata(着せ綿, 被せ綿 : floss silk to cover chrysanthemum flower)
These confections represent white silk and red chrysanthemum flowers.
On the night of the 8th day of the 9th month in the lunar calendar, people made moist floss silk with the night dew and scented it with chrysanthemum flowers by putting floss silk over the flowers.
On the morning of the 9th day of the 9th month, people wiped their faces or bodies with the floss silk. This custom to pray for longevity is unique to Japan.
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